“For life be, after all, only a waiting for something else than what we’re doing, and death be all that we can rightly depend on.“
A grayscale digital sketch drawing of a vampire kissing a woman. Some elements are painted a bright, flat-toned red. The lines resemble ink, and the background has faded, low-opacity close-up of their kiss. Their full-bodies are depicted. The vampire man, to the left of the image, holds his dark cape up with his right hand. His cloak waves in the air and forms an angular bat or draconic wing shape. He has thick, curly and long black hair, angular eyebrows, and a goatee. He wears an intricately-drawn white vest with a red sash wrapped around his wait. He wears knee-high laced-up boots and his white trousers have a stripe with roses embroidered in them. His outfit is reminiscent of a toreador costume. The woman leans towards him. She wears a red blazer and skirt with pantyhose and tall high-heels. One of the shoes is about to fall from her toes, as she bent her leg up. Her left hand rests on the vampire’s vest, at the height of his ribs. The nails are painted red. Her hair is in a loosely-secured bun and is light-colored. The vampire’s left hand cradles the woman’s nape, with fingers touching her hair and ear.
A giant x tiny interaction. I liked drawing these characters and turned them into a small story.
Digital grayscale sketch emulating a pencil texture and a grainy paper. A man holds a mermaid close to his chest. She is only a few foot tall and leans against his body, her tail cascading from his arms and hands. The mermaid wears no clothing and has a side braid, plus small flowers and dots on her hair and pointy ears. The man wears a hat and a clear-colored shirt with rolled-up sleeves. His face is in shadow, barely visible. There is a rectangular shape around both characters. It has five-line musical staff and notes, like a song framing the characters.
Chew accidentally cuts his hand. Yara comes to help, forgets that the sight of blood may trigger her curse. Chew is afraid (but also… charmed, interested, looking respectfully.)
A black and white drawing emulating inks and pencil. A tense man with a goatee and short, curly dark hair holds his glasses on one hand while his left hand is being handled by a woman whose face is obscured by her short, wavy white hair. Her back is facing us, and the man watches her expression. They both wear trousers, and she wears a short tunic while he hears a buttoned up shirt. The hand that the woman is treating is bleeding — dark droplets drip from the man’s fingers.
Drawing canids to build muscle memory and practice traditional-looking styles.
Grayscale digital sketch of an anthropomorphic canine creature. They sit on an invisible background, and the face is reminiscent of a great dane dog.
Close-up of a grayscale digital sketch drawing of a vampire kissing a woman. Some elements are painted a bright, flat-toned red. The lines resemble ink, and the background has faded sketch lines. Their busts are depicted. The vampire man, to the left of the image, holds his dark cape up with his right hand, almost as if sheltering the couple. He has thick, curly, frizz-y and long black hair, angular eyebrows, long eyelashes and a goatee. There is a drop of red paint on his eyelashes. He wears a noble, luxury-looking white vest with a red sash wrapped around his wait. His outfit is reminiscent of a toreador costume. The woman leans towards him. She wears a red blazer. Her left hand rests on the vampire’s vest, at the height of his ribs. The nails are painted red. Her hair is in a loosely-secured bun and is light-colored. The vampire’s left hand cradles the woman’s nape, with fingers touching her hair and ear.”
